Prof. em. Hans Belting †
Honorary member of the ZfL, Professor emeritus of Art History and Media Theory at the Karlsruhe University of Arts and Design
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Hans Belting, born on July 7th, 1935, died on January 23rd, 2023, was Professor of art history at the Ludwig-Maximilians-University, Munich from 1980 to 1992. From 1992 to 2002, he was Professor of art and media history at the Karlsruhe College of Arts and Design. From 2002 to 2003, he held the Chair of the European Department at the Collège de France and, from 2004 to 2007, he occupied the position of the director of the International Research Center for Cultural Studies (IFK ) in Vienna. He was a member of the Academy of Science, Heidelberg, and the Academia Europaea, Wissenschaftskolleg fellow, Berlin, fellow of the American Academy of Arts and Sciences, and member of the Order Pour le Mérite for Sciences and Arts. Hans Belting was an Honorary Member of the ZfL since 2006.
Hans Belting has contributed significantly to a fundamental revision of art history’s methods as well as to the field’s self-conception. He paved the way for the integration of interdisciplinary image studies into art history and articulated the relevance of image studies issues within cultural studies and, more recently, within the natural sciences. His prominence in the field stems from his innovative approach that aims to create interdisciplinary research networks between art historians, media studies scholars, and image studies scholars. His most recent work studied the roots of image studies in European cultural history on the one hand and the problems associated with new imaging techniques and scientific images on the other, such as those used in studying the brain. In his book Florence and Baghdad, Belting examined the use of perspective in Renaissance paintings as one that was derived from the Arab world’s mathematical theory of sight.
In 2015, Professor Belting received the prestigious Balzan Prize. Victor Stoichita addressed the reasons why Professor Belting deserved to receive this award which honors scholars working on the history of European art (1300–1700), citing Belting’s vital contributions to the study of the visible and the function of images in the Western world as well as his innovative and original interpretations of artworks between cultures and eras. Stoichita also noted Belting’s deep concern for the language of art and its significance for modern artists. From 2016 to 2019, the ZfL hosted a subproject of the interdisciplinary research project Iconic Presence. Images in Religion, led by Hans Belting and funded through the Balzan Prize.
Obituaries
- Henry Keazor: Nachruf auf Hans Belting, in: Jahrbuch der Heidelberger Akademie der Wissenschaften 2023
- Martin Treml: Die Bilder und wir, in: taz, 16 Jan 2023
- Sigrid Weigel: Bildwissenschaftler avant la lettre, in: Deutschlandfunk Kultur, 13 Jan 2023
- Stefan Trinks: Kunst kommt von Kult, in: Frankfurter Allgemeine Zeitung, 12 Jan 2023
Events with Hans Belting at the ZfL
- Public event, 12 Jan 2009
Tiefenschärfe für die Gegenwartsdiagnose. Die Geisteswissenschaften in der Öffentlichkeit
Publications
Monographs (Selection)
- Ein Afrikaner in Paris. Léopold Sédar Senghor und die Zukunft der Moderne. München: C.H. Beck 2018 (with Andrea Buddensieg)
- An Anthropology of Images. Picture, Medium, Body. Princeton: Princeton University Press 2014
- Faces. Eine Geschichte des Gesichts. München: Beck 2013
[Translation: Face and Mask: A Double History. Princeton: Princeton University Press 2017] - Spiegel der Welt. Die Erfindung des Gemäldes in den Niederlanden. München: Beck 2010
- Der Blick hinter Duchamps Tür. Kunst und Perspektive bei Duchamp, Sugimoto, Jeff Wall. Köln: Walther König 2009
- Florenz und Bagdad. Eine westöstliche Geschichte des Blicks. München: Beck 2008
- Das echte Bild. München: Beck 2006
- Szenarien der Moderne. Kunst und ihre offenen Grenzen. Hamburg: Philo Fine Arts 2005
- Art History after Modernism. Chicago: University Press Chicago 2003
- Hieronymus Bosch. Der Garten der Lüste. München: Prestel 2002
- Bild-Anthropologie. Entwürfe für eine Bildwissenschaft. München: Wilhelm Fink 2001
- Die Deutschen und ihre Kunst. Ein schwieriges Erbe. München: Beck 1992
- Max Beckmann. Die Tradition als Problem in der Kunst der Moderne. München: Deutscher Kunstverlag 1984
- Das Bild und sein Publikum im Mittelalter. Form und Funktion früher Bildtafeln der Passion. Berlin: Gebr. Mann 1981
Edited volumes and special issues (Selection)
- The Global Art World. Audiences, Markets, and Museums. Ostfildern: Hatje Cantz 2009 (with Andrea Buddensieg)
Articles (Selection)
- Face oder Trace? Zur Anthropologie der frühen Christus-Porträts, in: Sigrid Weigel (ed.): Gesichter. Kulturgeschichtliche Szenen aus der Arbeit am Bildnis des Menschen. München: Wilhelm Fink 2013, 91–102 (with Christine Kutschbach)
- Nachrufe auf das Gesicht: Rilke und Artaud, in: Corina Caduff, Anne-Kathrin Reulecke, Ulrike Vedder (eds.): Passionen. Objekte – Schauplätze – Denkstile. München: Wilhelm Fink 2011, 285–293
- Der Kult Sebastians – ein christlicher Märtyrer als Kunst-Werk der Renaissance, in: Sigrid Weigel (ed.): Märtyrer-Porträts. Von Opfertod, Blutzeugen und heiligen Kriegern. München: Wilhelm Fink 2007, 162–164