Edited, translated, and with an introduction by Hannes Bajohr, Florian Fuchs, and Joe Paul Kroll

History, Metaphors, Fables
A Hans Blumenberg Reader
[Geschichte, Metaphern, Fabeln. Ein Hans Blumenberg-Reader]

signale|TRANSFER: German Thought in Translation
Cornell University Press and Cornell University Library, Ithaca (NY) 2020, 624 Seiten
ISBN: 978-1-5017-3282-9 (Hardcover); 978-1-5017-4798-4 (Paperback); 978-1-5017-4799-1 (E-Book)

Hans Blumenberg (1920–1996) was one of the most important German philosophers of the twentieth century. An intellectual historian as well, he created the concept of metaphorology, which states that the limits of conceptual thought can be overcome by studying the world-views hidden in metaphors.

History, Metaphors, and Fables collects the central writings by Hans Blumenberg and covers topics such as on the philosophy of language, metaphor theory, non-conceptuality, aesthetics, politics, and literary studies. This landmark volume demonstrates Blumenberg's intellectual breadth and gives an overview of his thematic and stylistic range over four decades. Blumenberg's early philosophy of technology becomes tangible, as does his critique of linguistic perfectibility and conceptual thought, his theory of history as successive concepts of reality, his anthropology, or his studies of literature. History, Metaphors, Fables allows readers to discover a master thinker whose role in the German intellectual post-war scene can hardly be overestimated.

Florian Fuchs is a Lecturer in Comparative Literature at Princeton University.

Hannes Bajohr is a Research Fellow at the Media Studies Department at the University of Basel.

Joe Paul Kroll is a freelance translator, editor, and writer.

Inhaltsverzeichnis

  1. The Linguistic Reality of Philosophy (1946/1947)
  2. World Pictures and World Models (1961)
  3. "Secularization": Critique of a Category of Historical Illegitimacy (1964)
  4. The Concept of Reality and the Theory of the State (1968/1969)
  5. Preliminary Remarks on the Concept of Reality (1974)
  6. Light as a Metaphor for Truth: At the Preliminary Stage of Philosophical Concept Formation (1957)
  7. Introduction to Paradigms for a Metaphorology (1960)
  8. An Anthropological Approach to the Contemporary Significance of Rhetoric (1971)
  9. Observations Drawn from Metaphors (1971)
  10. Prospect for a Theory of Nonconceptuality (1979)
  11. Theory of Nonconceptuality (circa 1975, excerpt)
  12. The Relationship between Nature and Technology as a Philosophical Problem (1951)
  13. "Imitation of Nature": Toward a Prehistory of the Idea of the Creative Being (1957)
  14. Phenomenological Aspects on Life-World and Technization (1963)
  15. Socrates and the objet ambigu: Paul Valéry's Discussion of the Ontology of the Aesthetic Object and Its Tradition (1964)
  16. The Essential Ambiguity of the Aesthetic Object (1966)
  17. Speech Situation and Immanent Poetics (1966)
  18. The Absolute Father (1952/1953)
  19. The Mythos and Ethos of America in the Work of William Faulkner (1958)
  20. The Concept of Reality and the Possibility of the Novel (1964)
  21. Pensiveness (1980)
  22. Moments of Goethe (1982)
  23. Beyond the Edge of Reality: Three Short Essays (1983)
  24. Of Nonunderstanding: Glosses on Three Fables (1984)
  25. Unknown Aesopica: From Newly Found Fables (1985)
  26. Advancing into Eternal Silence: A Century after the Sailing of the Fram (1993)

In englischer Sprache.

[Hans Blumenberg (19201996) war einer der wichtigsten deutschen Philosophen des zwanzigsten Jahrhunderts. Als Ideenhistoriker führte er das Konzept der Metaphorologie ein, das versucht die Grenzen des begrifflichen Denkens durch das Studium der in Metaphern verborgenen Weltanschauungen zu überwinden.

Geschichte, Metaphern und Fabeln sammelt die zentralen Schriften von Hans Blumenberg und behandelt damit Themen wie Sprachphilosophie, Metapherntheorie, Nicht-Konzeptualität, Ästhetik, Politik und Literaturwissenschaft. So zeigt der Band Blumenbergs intellektuelle Vielfalt und verleiht einen Überblick über seine stilistische und thematische Entwicklung durch vier Jahrzehnte hinweg. Blumenbergs frühe Technikphilosophie wird ebenso greifbar wie seine Kritik an sprachlicher Vollkommenheit und konzeptuellem Denken, seine Theorie der Geschichte als aufeinanderfolgende Konzepte der Wirklichkeit, seine Anthropologie oder seine Literaturwissenschaft. Geschichte, Metaphern, Fabeln lässt einen Denker auftreten, dessen Rolle in der deutschen intellektuellen Nachkriegsszene kaum überschätzt werden kann.]