Metaanthropology. On the History of Ethnography in the 20th Century

During the 1980s, in the wake of the Writing Culture debate instigated by US social and cultural anthropology, text-theoretical approaches gained ground. Since then, reflections on the epistemological conditions of anthropological knowledge can no longer be separated from the question of ethnographic representation. However, what has so far remained widely disregarded is the great extent to which the debates surrounding ethnographic representation were influenced by historiology. It needs to be remembered that already the 19th century was marked by fierce debates concerning the significance of language and narration, in particular, which were later introduced to the anthropological debates through the reception of Hayden White’s Metahistory (1972).

This dissertation project starts from this interconnection between the theory of history and ethnography before addressing its implications: Even though those involved in the Writing Culture debate drew on Hayden White and historiology, so far there has been no according systematic account of ethnographic representation in the 20th century. This project sets out to outline such a systematics by drawing on the historical critique of representation, White’s theory of history, and Stephen C. Pepper’s World Hypothesis (1942). In doing so, it also shows how the work of Pepper, who has been widely forgotten today, laid the systematic basis for White’s analyses.

With regard to the current calls for a decolonization of social and cultural anthropology in the context of the Black Lives Matter movement, Standing Rock, and the on-going refugee migration from Central America, the project also explores techniques of ethnographic reversal. Following the German ethnologist Fritz Kramer, this concerns the critical reception of ethnography by indigenous actors as well as the ways in which the authors of ethnographies themselves attempt to put their knowledge in relation to the knowledge of the people subjected to their ethnography.

Fig. above:
Comparison stencils for determining human eye color, Source: John George Garson, Charles Hercules Read: Notes and Queries on Anthropology. Third Edition. Edited for the British Association for the Advancement of Science, London: The Anthropological Insitute 1899, 17