Program Area Knowledge of Life
Reading and thinking have always been means to some end. These skills were believed to be vital to both the lives of individuals and collective bodies, such as nations. The idea that the arts produce and transmit knowledge relevant to life can be traced throughout history from notions of education during Antiquity to the modern Bildungsroman and into the concept of national literatures and cultures. But this conviction is faltering as the natural sciences now address subjects which according to the idea of “two cultures” were once the exclusive domain of the Humanities dealing with subjects that used to pertain solely to the humanities (e.g., the definition of free will). Moreover, modern technology constantly generates new kinds of applied knowledge which erode the distinction of living and non-living as well as nature and culture. The program area operates within the context of the challenges posed to the “two cultures” model. Its interdisciplinary projects engage with the field of biology in particular as the leading science of life. Without ignoring the logic and traditions of specific disciplines or flattening them into a single, shapeless concept of culture, our research takes on the task of investigating how natural objects, artifacts, organisms, and human beings can be studied within a shared framework.
Current Research Projects
Projects of this program area, completed or processed in the past
(selected, chronologically sorted by year of completion)
- The Opposite Sex: A History 2023–2024
- Symbiotic Worlds. Theories and Practices of Coexistence in Lynn Margulis and Donna Haraway 2020–2024 Dissertation project
- Arendt, the Anthropocene, and Narrative 2022–2023
- Diffractive Epistemics: Cultures of Knowledge in the Digital Humanities 2020–2023
- Living Things, Human Beings: The Entanglements of the Organism 2021–2022
- “Formation is Life.” Organicism and Aesthetic Modernism 2020–2021
- Knowledge of Surroundings in Theatrical Modernity. Milieu – Umwelt – Environment / Hauptmann – Appia – Kiesler 2021
- Sound Writing. Experimental Modernism and the Poetics of Articulation 2019–2021
- Living Houses. ‘Post-fantastic’ variations on a literary topos in Cortázar, Vian, Aichinger and Ballard 2017–2021 Dissertation project
- The Science of Character. Human Objecthood and the Ends of Victorian Realism 2020–2021
- Synergy. A History of Knowledge 2010–2021
- Be Thy Knowledge! On the Representation Crisis of Nature 2020 Dissertation project
- Humanitarian Imperatives. Saving Lives from Nautical Distress and Shipwreck in Modern Europe 2019–2020
- Intimate Images. The History of Radiography in the History of Art 2016–2020
- Archetype and Transformation. Natural Models and the Paradox of Artistic Naturalness 2017–2020
- The Shifting Borders of Biology 2014–2019
- Interferences of technicity, literary form and theory since the 1950s 2018–2019
- Climate and the Origins of Modernity 2017–2019 Dissertation project
- Life Lessons and the Art of Life. Translating Life into Philosophy and the Arts 2017–2019
- Negative Anthropology. History and Potential of a Discursive Formation 2017–2019
- ›Total Strangers‹? The Figure of the Autistic in Science and Literature 2017–2019 Dissertation project
- Behavioral Knowledge. Scenes of writing and observing behaviour at the Zoological Institute of the Humboldt University in Berlin (1948–1968) 2019 Dissertation project
- The Epistemic Reverse Side of Instrumental Images 2013–2018
- Neuro-Psychoanalysis and Pain. Neurosciences between Natural Science and Cultural Studies 2014–2018
- Technology and Anthropology. Engineering and Humanities in dialogue 2017–2018
- The Future of Sustainability. Literature, Time, and the Environment 2016–2017
- Security and the Future. A Cultural Studies Approach 2014–2017
- Practices of Knowledge. Images in the History of Experimental and Applied Life Sciences 2014–2017
- Time and Form in Motion. Goethe's Morphology and Its Afterlife in 20th-Century Theory 2013–2017
- Camouflage. Reading Landscape in Theater, Art, and War 1914–1945 2014–2016 Dissertation project
- Cultures of Madness. Liminal Phenomena of the Urban Modern Era (1870–1930) 2009–2016
- Bioethics. A Cultural Theory Approach 2014–2016
- Borderline encounters with voice. A study of the pre-history of bioacoustics at the cutting edge of science, media technology and literature around 1800 and 1900 2014–2016 Dissertation project
- The Face as Artifact in art and science 2011–2013 and 2014
- Discourses of Life. Paradigmatic Concepts around 1900 and its Significance for the Present 2013–2014
- Skull Base Knowledge. Cultural Implications of Cranial Plastic Surgery 2011–2014
- The Eye in the Laboratory 2011–2013
- Hereditary Chorea. Test – Diagnostic – Prognostic 2012–2013
- Cultural Factors of Inheritance 2011–2013
- Organism and Culture. Conceptual Foundations and Boundaries of Biology 2012–2013
- Prognostics and Literature 2010–2013