Program Area Knowledge of Life
When modern territorial states began to take care of the life and death of their citizens, new methods such as statistics gave rise to biopolitics as a new knowledge of life. This knowledge organizes and determines Western societies to this day. Because politics, under pressure from the modern life sciences, have largely ceded its decision-making powers to the domain of the law, we are currently witnessing an unprecedented juridification of life. This juridification corresponds to a disenfranchisement of people from war and crisis regions as they are being reduced to their bare need for survival and deprived of any legal claims (currently: refugees).
However, there are other frontiers where knowledge of life massively interferes with life and its traditional understanding and ultimately changing both. New technologies have not only led to new ways of looking at life (as in the case of medical imaging), but also to new kinds of machines. As in the case of artificial intelligence, these are capable of acting independently and could therefore potentially be considered autonomous. Thus, the ever-unstable boundary between man and machine, the living and the non-living, is falling under increasing scrutiny. Additionally, the “hard” sciences, and especially the young neurosciences, are increasingly claiming interpretive sovereignty over those aspects of life that have traditionally been considered the province of the humanities.
We address this critical situation through interdisciplinary research on these different forms, and especially on the previous history of the knowledge of life. In the 18th century, various discourses—especially in aesthetics, early biology, and literature—led to the discovery of life and the living as a new subject in its own right, through a distinctive set of rules of observation. The discovery that all living things, in particular, are always more than the sum of their parts and that they unfold over time. It was only with the disciplinary differentiation during the 19th century that approaches of the life sciences separated from those of the humanities that analyzed life and its expressions with their own methods. In line with the pre- and multidisciplinary origins of the knowledge of life in the 18th century, we do not seek to overcome the history of this separation, but rather to reconstruct it by exploring its genesis and further development. We will pay particular attention to the forms in which the diverse knowledge of life has been transmitted since pre-modern times. Their diachronic analysis beyond the turning point of the Sattelzeit provides insights into a history of the knowledge of life that far exceeds a mere retelling of the development of disciplines.
Literature plays a particularly important role here. For centuries, one of the central concerns of philosophy and religion has been the question of how to live—or not to live. While literature has always been an often-idiosyncratic way of mediating philosophical and religious concerns, modernity saw the rise of both new disciplines on how to live, such as pedagogy, and of the emancipating arts around 1800, and first and foremost: literature. Since then, life and literature have been the preferred subjects of literature. Modern literature has also remained a form of knowledge of life and must be studied from this perspective.
Current Research Projects
Projects of this program area, completed or processed in the past
(selected, chronologically sorted by year of completion)
- The Opposite Sex: A History 2023–2024
- Symbiotic Worlds. Theories and Practices of Coexistence in Lynn Margulis and Donna Haraway 2020–2024 Dissertation project
- Arendt, the Anthropocene, and Narrative 2022–2023
- Diffractive Epistemics: Cultures of Knowledge in the Digital Humanities 2020–2023
- Living Things, Human Beings: The Entanglements of the Organism 2021–2022
- “Formation is Life.” Organicism and Aesthetic Modernism 2020–2021
- Knowledge of Surroundings in Theatrical Modernity. Milieu – Umwelt – Environment / Hauptmann – Appia – Kiesler 2021
- Sound Writing. Experimental Modernism and the Poetics of Articulation 2019–2021
- Living Houses. ‘Post-fantastic’ variations on a literary topos in Cortázar, Vian, Aichinger and Ballard 2017–2021 Dissertation project
- The Science of Character. Human Objecthood and the Ends of Victorian Realism 2020–2021
- Synergy. A History of Knowledge 2010–2021
- Be Thy Knowledge! On the Representation Crisis of Nature 2020 Dissertation project
- Humanitarian Imperatives. Saving Lives from Nautical Distress and Shipwreck in Modern Europe 2019–2020
- Intimate Images. The History of Radiography in the History of Art 2016–2020
- Archetype and Transformation. Natural Models and the Paradox of Artistic Naturalness 2017–2020
- The Shifting Borders of Biology 2014–2019
- Interferences of technicity, literary form and theory since the 1950s 2018–2019
- Climate and the Origins of Modernity 2017–2019 Dissertation project
- Life Lessons and the Art of Life. Translating Life into Philosophy and the Arts 2017–2019
- Negative Anthropology. History and Potential of a Discursive Formation 2017–2019
- ›Total Strangers‹? The Figure of the Autistic in Science and Literature 2017–2019 Dissertation project
- Behavioral Knowledge. Scenes of writing and observing behaviour at the Zoological Institute of the Humboldt University in Berlin (1948–1968) 2019 Dissertation project
- The Epistemic Reverse Side of Instrumental Images 2013–2018
- Neuro-Psychoanalysis and Pain. Neurosciences between Natural Science and Cultural Studies 2014–2018
- Technology and Anthropology. Engineering and Humanities in dialogue 2017–2018
- The Future of Sustainability. Literature, Time, and the Environment 2016–2017
- Security and the Future. A Cultural Studies Approach 2014–2017
- Practices of Knowledge. Images in the History of Experimental and Applied Life Sciences 2014–2017
- Time and Form in Motion. Goethe's Morphology and Its Afterlife in 20th-Century Theory 2013–2017
- Camouflage. Reading Landscape in Theater, Art, and War 1914–1945 2014–2016 Dissertation project
- Cultures of Madness. Liminal Phenomena of the Urban Modern Era (1870–1930) 2009–2016
- Bioethics. A Cultural Theory Approach 2014–2016
- Borderline encounters with voice. A study of the pre-history of bioacoustics at the cutting edge of science, media technology and literature around 1800 and 1900 2014–2016 Dissertation project
- The Face as Artifact in art and science 2011–2013 and 2014
- Discourses of Life. Paradigmatic Concepts around 1900 and its Significance for the Present 2013–2014
- Skull Base Knowledge. Cultural Implications of Cranial Plastic Surgery 2011–2014
- The Eye in the Laboratory 2011–2013
- Hereditary Chorea. Test – Diagnostic – Prognostic 2012–2013
- Cultural Factors of Inheritance 2011–2013
- Organism and Culture. Conceptual Foundations and Boundaries of Biology 2012–2013
- Prognostics and Literature 2010–2013